涂銘宏教授演講 M9710301, M9710212, M9710302, M9710306

漫畫的敘事與視覺語言

1.漫畫的視覺"問題"

• All style, no substance?
• Readers' active involvement (Closure theory)
• Multiple viewing possibilities (Parallel Universe; Visual "Meanwhile"...)

2.漫畫：連環圖像之藝術與敘事

• Comic: "justaosed pictorial and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewers, "or simply put, "Sequential Art."
  -Form Understanding Comics, Scott McClould(p.9)
• Pictorial Story-telling in motion (e.g.,四格漫畫）

3."縫合"理論(Closure) "觀察部分：感之整體"：

A-B-C:"abserving the parts but parchasing the while"

I. 從時刻到時刻 (moment to moment)-幾乎無須縫合
II. 從動作到動作 (action to action)-單一動作的連動
III. 從角色到角色 (suject to suject)-同一場景或概念
IV. 從場景到場景 (scene to scene)-讀者橫跨大量的時間或空間距離
V. 從視野到視野 (aspect to aspect)-同一地點概念或心情中的不同視角呈現
VI. 非邏輯連結 (non seqnitur)-畫框圖像之間毫無關聯(windering eye)

4.框架間多重月獨的可能性

• Multiple reasting possibilities of panel-to-panel transitions

5.Synthesis (多層綜合體)框內的多層交疊再現方式

• "Happening" inside the panel that combines multiple panels/elements(a charactor, a caption , a word balloon, scenery, props, or a sound affect, etc.)

6.漫畫中的文字／文本"Text" in Comic

• 浮白(Word balloon)
• 字幕(Caption)
• 擬聲語(onomatopoela sound effect:轟轟 咑咑)
  ->浮白word balloon - verbal commentaries on/as the visual

7.另類漫畫與流行歷史

• Alternative Comics and popular histories

8.圖像式的回憶錄 - Garphic memoir

1. Memory troubles
2. Animal stereotypes
3. personal histories V.S history
4. Problematic of Representations

9.日本漫畫的流行敘事：仲間意識

• 無聲的音樂之畫：交響情人夢
• 視覺媒介的轉譯