1.視覺"議題"
=> All style, no substance?
=> Readers' active involvement (Closure theory)
=> Multiple viewing possibilities (Parallel Universe; Visual "Meanwhile"...)
2.漫畫：
=> Comic: "justaosed pictorial and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewers, "or simply put, "Sequential Art."-Form Understanding Comics, Scott McClould(p.9)
=> Pictorial Story-telling in motion
3. Closure 縫合理論
A-B-C:"abserving the parts but parchasing the while"
I. moment to moment--幾乎無須縫合
II. action to action--單一動作的連動，其時間相近，但視野不同。
III. subject to subject--同一場景或概念，其視野或角色不同反應之間的關係。
IV. scene to scene--讀者橫跨大量的時間或空間距離，出現於關鍵性的改變。
V. aspect to aspect--同一地點概念或心情以不同視角呈現(不連續畫面)
VI. non sequitur--畫框圖像之間毫無關聯(windering eye)
4.框架間多重月獨的可能性
=>Multiple reasting possibilities of panel-to-panel transitions
5.Synthesis (多層綜合體)框內的多層交疊再現方式
=>"Happening" inside the panel that combines multiple panels/elements(a charactor, a caption , a word balloon, scenery, props, or a sound affect, etc.)
6. Text in Comic漫畫中的文字／文本
=>浮白(Word balloon) – Verbal commentaries on/as the visual
=>字幕(Caption)
=>擬聲語(onomatopoela sound effect:轟轟 咑咑)
7.另類漫畫與流行歷史
Alternative Comics and popular histories
8.圖像式的回憶錄 - Garphic memoir
=>Memory troubles
=>Animal stereotypes
=>personal histories V.S history
=>Problematic of Representations
9.日本漫畫的流行敘事：仲間意識—夥伴、朋友之間的關係。
=>無聲的音樂之畫：交響情人夢 (聽覺化作視覺表現)
=>視覺媒介的轉譯
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